{"created":"2023-05-15T10:38:10.225389+00:00","id":82,"links":{},"metadata":{"_buckets":{"deposit":"11eed674-285d-4587-add0-38ee6e54fa14"},"_deposit":{"created_by":13,"id":"82","owners":[13],"pid":{"revision_id":0,"type":"depid","value":"82"},"status":"published"},"_oai":{"id":"oai:kobeyakka.repo.nii.ac.jp:00000082","sets":["4:5:31"]},"author_link":["2"],"control_number":"82","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"32","bibliographicPageStart":"16","bibliographicVolumeNumber":"16","bibliographic_titles":[{"bibliographic_title":"神戸薬科大学研究論集 : Libra"},{"bibliographic_title":"The journal of Kobe Pharmaceutical University in humanities and mathematics","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"「西洋近代音楽芸術」の制度において「環境（音）」から分離された「音楽」は、20世紀の初め以降、テクノロジーとメディアの進歩と社会の大衆化によって、その制度が徐々に破綻するとともに再び「環境」との関わりを取り戻していく。それとともに聴取のあり方も変化し、与えられた音楽からそこに込められた意図を受動的、分析的に汲み取る聴取ばかりではなく、ジョン・ケージ以降、ある種の「環境音楽」の場合には、聴き手自身が「環境（音）」との関わりから自分なりの音楽を紡ぎだす「創造的聴取」の可能性が生みだされることになった。","subitem_description_type":"Other"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神戸薬科大学"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11519213","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13452568","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"畑, 公也","creatorNameLang":"ja"},{"creatorName":"ハタ, キミヤ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-25"}],"displaytype":"detail","filename":"16 Hata.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"L16016","url":"https://kobeyakka.repo.nii.ac.jp/record/82/files/16 Hata.pdf"},"version_id":"f0912e60-f840-4963-9112-a5aca5c42f06"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<研究ノート>「環境音楽」、または「環境」と「音楽」","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<研究ノート>「環境音楽」、または「環境」と「音楽」","subitem_title_language":"ja"},{"subitem_title":"<Notes>‘environmental music’, or ‘environment’ and ‘music’","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"13","path":["31"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-04-25"},"publish_date":"2016-04-25","publish_status":"0","recid":"82","relation_version_is_last":true,"title":["<研究ノート>「環境音楽」、または「環境」と「音楽」"],"weko_creator_id":"13","weko_shared_id":-1},"updated":"2023-12-05T06:06:10.781314+00:00"}