{"created":"2023-05-15T10:38:08.428710+00:00","id":29,"links":{},"metadata":{"_buckets":{"deposit":"2bfb55d6-f7f9-44bf-847b-4705b80334bc"},"_deposit":{"created_by":12,"id":"29","owners":[12],"pid":{"revision_id":0,"type":"depid","value":"29"},"status":"published"},"_oai":{"id":"oai:kobeyakka.repo.nii.ac.jp:00000029","sets":["4:5:12"]},"author_link":["192"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2001-02-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"42","bibliographicPageStart":"23","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"神戸薬科大学研究論集 : Libra"},{"bibliographic_title":"The journal of Kobe Pharmaceutical University in humanities and mathematics","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"両大戦間期のイギリス演劇は,従来,作品解釈を中心とした文学研究の対象になることは少なかったが,近年,ゲイ・スタディーズやフェミニズムの立場からこの時代の演劇を再考する動きが少しずつ見られるようになってきた。本論は,それらの研究成果を踏まえながら,両大戦問期におけるノエル・カワードの劇と文化との相互干渉的な関係を明らかにする試みである。まず,当時の社会的コンテクストに目を向け,この時期のイギリスでは女性性に関する論争が盛んに行われていたことを概観し,その上で,カワードが喜劇の伝統的なコンヴェンションの法則をわずかに変更する形で作品を創作することによって,伝統的なジェンダーの規範に疑問を投げかけた点を検証する。","subitem_description_type":"Other"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神戸薬科大学"}]},"item_10002_relation_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type":"isVersionOf","subitem_relation_type_id":{"subitem_relation_type_id_text":"110000038966","subitem_relation_type_select":"NAID"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11519213","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13452568","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"赤井, 朋子"},{"creatorName":"アカイ, トモコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"192","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"70309433","nameIdentifierScheme":"KAKEN - 研究者検索","nameIdentifierURI":"https://nrid.nii.ac.jp/ja/nrid/1000070309433/"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-10-25"}],"displaytype":"detail","filename":"2 akai.pdf","filesize":[{"value":"1.0 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"L02023","url":"https://kobeyakka.repo.nii.ac.jp/record/29/files/2 akai.pdf"},"version_id":"d298cc50-4a58-4ff5-a0e0-8a5053f95750"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"両大戦間期のイギリス演劇再考 : ノエル・カワードを中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"両大戦間期のイギリス演劇再考 : ノエル・カワードを中心に"},{"subitem_title":"<Article>Reconsidering the Works of Noel Coward in the 1920s and 1930s","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"12","path":["12"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-10-25"},"publish_date":"2013-10-25","publish_status":"0","recid":"29","relation_version_is_last":true,"title":["両大戦間期のイギリス演劇再考 : ノエル・カワードを中心に"],"weko_creator_id":"12","weko_shared_id":12},"updated":"2023-05-15T10:46:41.452015+00:00"}